Browse Exhibits (6 total)
September 1 – October 16, 2022
Opening on Sept. 1, 5 – 7 pm.
April 23 - May 23, 2022
In 2011, the Princeton Review ranked Southern Methodist University as the eleventh worst university for gay students. Then, in a dramatic shift a decade later, Campus Pride listed it among ten religious schools living up to LGBTQ-inclusive values in August 2021. However, the struggle for LGBT campus acceptance has lasted far longer than just one decade. For LGBT students at SMU, there is a wide legacy that has yet to be honored in a multidisciplinary, public-facing project synthesizing the documented history of LGBT students.
Building on the research of the PRIDE@SMU capstone project, In Search of Belonging explores stories of LGBTQ+ student organizing -- struggles for equality and recognition -- through oral history and archival documents. From the eight-year fight to charter the first Gay and Lesbian Student Organization (GLSO), to the founding of SMU’s first ever gay fraternity, to the present-day work and testimonies of queer Mustangs, these past and present queer narratives elevate both the roots of the SMU LGBTQ+ community and the truth of what “Mustang Pride” looks and feels like today. Most of the LGBT student experience does not fit neatly into newspaper headlines; however, by outlining some of the key events, setbacks, and successes of the LGBT rights movement at SMU, this work initiates a conversation about LGBTQ+ acceptance on the Hilltop today, ultimately showing that there’s more work to be done.
In Search of Belonging challenges SMU to reckon with its long and recent history of LGBTQ+ marginalization, to acknowledge the pain and pride of its students, faculty, and alumni, and to live up to its stated values of equity and inclusivity -- both on paper and in practice, so that every student feels like they belo
February 7 - September 13, 2020
September 21 – December 18, 2020
A bimonthly gathering (online/on-campus) of SMU alumni and current students interested in deepening their understanding of the historical development of curatorial practices and the study of contemporary art display theory/practice including exhibition typologies and curatorial models. In the framework of this program, history, theory, contextualization, organization, and execution of curatorial projects will be discussed, evaluated, and critiqued.
Selections From the Jessica and Kelvin Beachum Family Collection
February 17 – May 20, 2022
A glimpse into the Jessica and Kelvin Beachum Family Collection beholds an artistic world of hope, Black joy, reality, and aspiration. Each composition within the collection offers a unique story. These non-linear narratives on the Black experience, with their own distinct actualities exhibit a reality not often portrayed, yet a collective, lived experience that strives to represent a livelihood untouched. Narrative as Reality: A World Reimagined contains the work of artists, Dominic Chambers, Ryan Cosbert, Robert Hodge, Nelson Makamo, Delita Martin, Sungi Mlengeya, Mario Moore, Robert Pruitt, Athi-Patra Ruga, and Ferrari Sheppard. Artist as storyteller and aesthetic elegance collide in this breathtaking collection of work that bestows a world where narratives hold power and imagery conveys truth.