Browse Exhibits (29 total)

The Illusion of Being: Photographic Works/Lynné Bowman Cravens, Ross Faircloth, and Ashley Whitt

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March 22 - May 17, 2019

The Illusion of Being is a three-person exhibition of photographic works by DFW based artists Lynné Bowman Cravens, Ross Faircloth, and Ashley Whitt. Each artist utilizes lens-based media to investigate notions of reality as perceived by the self.

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Pipes on Paper: The Wallmann Collection of Books on the Organ

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July 15 - August 2, 2019

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Against the Best Possible Sources/Elizabeth Moran

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September 6–December 20, 2019

Guided by a preoccupation with the subjectivity of facts, Elizabeth Moran uses photography, text, sound, and other forms of recorded documentation to examine the reliability of information and how evidence is often far from evident. Against the Best Possible Sources is part of an ongoing project including extensive research of the TIME, Inc. corporate archive and an investigation of the earliest history of the first professional fact-checkers, a position invented by the fledgling company in 1923 and held exclusively by women until 1971.

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R3clamation: Routes & Roots, An Installation/Basil Kincaid

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October 28 - December 11, 2016

R3clamation: Routes & Roots, An Installation by Basil Kincaid launches the Hamon Arts Library’s contemporary arts exhibition program for the Hawn Gallery and is curated by the first Curatorial Fellow for the Hawn Gallery, Georgia Erger.

Basil reclaims seemingly innocuous materials – fabrics, fibers, and even debris – and repurposes them into monumental textile works. For R3clamation: Routes & Roots, Basil fills the gallery with assemblage quilts, sculptures, and garments, comprised of the clutter we encounter daily in our urban communities. Intimately relevant to their place of cultivation, the works are imbued with the West African and American ancestral traditions that are steeped in the artist’s practice and etched in our community’s collective memory. By no means static, these art works are worn by the artist during his performances and throughout the creative process. They become vessels for the black American body, representative of the trauma and subsequent healing the body has experienced

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